Latin Percussion's topics - tribe.net

Nov. 17th fundraiser folkloric

2009-11-28T21:34:24Z

Bamboche at a school fundraiser Nov. 17th.
Bembe
http://www.youtube.com/watch?v=jwOJEloJjB8
Bata Rumba
http://www.youtube.com/watch?v=GhVMY1c2dPE
Guaguanco
http://www.youtube.com/watch?v=EjeEKFf30To

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What's the "best" conga or set of congas

2009-11-25T01:24:18Z

I think I am gonna buy a set of 4 Giovanni Palladium series. They seem to be the best thing on the market right now. I have been looking for a while and this set is made of ash wood, so the sound will be rich but still cutting, and it looks a little like the old Gon Bops (with the bands). It is a big set, with the tumba at 14" and the quinto at 11 3/4". I haven't had the chance to play them in person, but they sound great on recrded tracks from LP. If anyone has any feedback it would be greatly appeciated. Especially if you have personally played the drums.
Otherwise, just tell me what YOU think the best congas are, and why. I'd like to keep it to congas that are in production or are available now. Who knows, maybe you will change my mind. :)

posted in Latin Percussion - 26 replies

Humboldt Afro-Cuban Workshops are on this year!! July-Aug

2009-06-04T21:34:53Z

http://www.humboldt.edu/~extended/afrocuban/
july 25th-Aug 1st!
I'm going!!

posted in Latin Percussion - 1 reply

Afrekete - Arara song

2009-04-25T15:06:40Z

Here's a song I was working on with Garage Band yesterday.
The song starts on the 5th strike of the 7 stroke 6/8 bell.
I sang the fundamental and played bell simultaneously. Good practice, since it twists the bell around in your mind to sing so far on the back side of clave!
Then, over dubbed the 3rd and 5ths, then the akpon last.
It was transcribed from Lazaro Ros's CD Osayin.

http://mrcrowder.us/cong/Ferekete.mp3

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vid from camera at our April 4th show

2009-04-06T12:55:57Z

http://mrcrowder.us/cong/april4thgig.m4v

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Company Galletano with Patato It's awesome!

2009-02-15T17:12:36Z

http://www.youtube.com/watch?v=5jEVTczB2IU

These guys are ripping.. And are about as relaxed as someone meditating.. This is how it is done!
I'm learning the lyrics and how to sing them with clave.
If anyone's interested in that, let me know.

posted in Latin Percussion - 0 replies

anyone want to vid conference a drum lesson or just share some rhythms?

2009-02-08T20:14:42Z

Hi guys, I recently got my vid conferencing working with skype.
You can go to skype.com to download the program for your platform. It works seamlessly between Mac and PC, which pretty much makes it alone in that regard.
This would be good for us folks that are a bit nerdy about technique, rhythm, and song and looking for a quick easy way to find out a new way to play something, or a new rhythm, or song right at your computer without charge!
My skype user name is windhorsey if anyone wants to add the contact and start a video chat.

posted in Latin Percussion - 0 replies

2 Must See Rumba Videos

2009-01-25T20:46:50Z

http://www.youtube.com/watch?v=VKCeNcO41tA&feature=channel_page

http://www.youtube.com/watch?v=qHf-6u9Z0dk

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Why is this called a Samba?

2008-12-23T20:00:13Z

Why is this called a Samba? Isn't it just a Cuban Bolero....or is the ending a samba

Samba Pa Ti ......by Santana

http://www.youtube.com/watch?v=d_dvQOmhcys

posted in Latin Percussion - 2 replies

What rhythm is this?

2008-11-20T13:05:20Z

.."African Queen" solo section of Santana's version of Black Magic Woman?

Is it a standard Cha Cha Cha ... when did a cha cha have a solo section...maybe it could be described as a Tumbao section more like a Salsa with the bass playing the tumbao ... I cant figure out what the rhythm in this section...I know Black M Woman is a Cha Cha and I understand how to direct this but African Queen seems to be an additional solo section...maybe they just jump to a salsa rhythm ...if so what clave is it? 2/3 or 3/2...how do I explain this to a group of Latin retarded musicians...."African Queen" starts with an ostinato bass part...I guess this is the replacement for a standard piano tumbao? So its a salsa rythm? ...what is the generic cascara pattern for the timbale for this solo section when the conga takes a solos?...

3:30 on the video

http://www.dailymotion.com/video/x16jpl_santana-black-magic-womangypsy-quee_music

posted in Latin Percussion - 3 replies

http://mrcrowder.us/conganotation.html

2008-11-01T15:03:46Z

You guys might like this new site I put together a few months back.
http://mrcrowder.us/conganotation.html

It's a labor of love, and a work in progress!

Dave

posted in Latin Percussion - 0 replies

Bata Lessons and learning music October 08

2008-10-15T13:00:25Z

Wow! How many of you have seen the "Visitor?" I just saw it, and loved it. It's a really heart warming - but not 'feel good' movie. More realistic than most, about man who's lost the heart in life,, he's just going through the motions, when he runs into a foreign couple who stay in his place for a few nights. The foreign guy is a drummer and teaches the man how to drum. Good story!!
Last weekend we had really nice first bata lesson with Thom, Eric, and Ritz here at my place, then a Rumba in the park next to the Zoo in Denver. Had a very busy week of teaching at school, then on Friday, yesterday, my kids had tests where everyone finishes about 15 or 20 minutes before each class period. I made them all stand up in rows and dance out a step 1 & a 2 & a 3 & a 4 & a,, and had two kids come up and play shekere "shik boom shik, shik boom shik" and cata "that 2 over 3 Christmas bells are ringing song", while I did a four drum bembe and sang.. I think it went off really well.. the kids seemed genuinly pleased and happy to have shared some music with me.. It's really a rare wonderful moment for me, as I teach Science which seems a bit impresonal and dry as a subject, compared to how much love and respect I feel for them.
We had our second bata lesson here today.. That stuff is twisting my head around - but not in a bad way..
I'm helping a bit on the Onkonkolo and trying to learn a little Itototele. I'm very humbled, and feel like an old man behind the wheel of a new vehicle.. It's really tough stuff, and I'm letting it come slowly. The other guys are a bit more experienced, so I don't feel pressure to learn terribly fast.. We're currently learning Yolngo and Chachalokefun, and two roads into Ellegua.. Thom is really patient with us, and Ritz is picking up the Itotele like he was born with it in his hands... It's pretty cool to see that.. Makes me wish I was 20 years younger,, but no worries.. It's all good..
Our teacher Thom, is a friend I met at the Humboldt camp. He drives in from Greeley to play with us, so we're honored. We're paying him a little, and he appreciates that. He's a proffesor of percussion at CU Denver and plays in Symphonies, Orchestras, and ensembles all around the front range..
Anyway, we then had a rumba after the lesson, so Thom, Eric, Ritz, and myself were joined at 1:00P by Chris, and Dan.. We ripped it up! Whhoooweeeeee!!!
Man,, was that a good session!!! Thom was on fire playing the low drums today, after teaching us for a few hours and playing Iya, he was all warmed up to play a monstrous Bembe lead while I played a really inspired tumbao, Ritz on Kachimbo, and Eric on Mula. We sang a bunch of songs, and switched to a stick Bembe with Twinchin drums. Put the Twinchin away after that and played some rumba with Thom on the Salidor, Eric - Tres Dos, and me on quinto.. The dialogue was totally undeniable, along with 'old man' Dan on atomic clock clave.. , Then we played an Iyesa to finish off another wonderfully musical weekend.

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Humboldt '08 Follow-up

2008-07-27T18:48:09Z

Day 1
Last night we had a party to honor Marshall’s move from Colorado to LA. There were 12 of us there, so enough of a crowd to really get a good rumba going,, and it was good!! Steve, who informed us he is also moving to California, was leading most of the singing. Wow, what a great player that guy is! We’ll sure miss him from the local Rumba crowd. His uncle is some kind of famous percussionist in France “Jille” is his name. Also present was my teacher Dave, for just a short while, since he had a gig later that night. ET, who is a great Batalero, Rick, Dan, Hal, Scott, Marshall - of course, Denver Dave, Paco, and Henry who hosted the event in one of his abandoned warehouses. It was pretty nice since it had carpeted floors, but it was still loud in there since it was empty with low ceilings. We had boxes, a full compliment of Bata, and the Denver guy’s drums. Henry had some gourmet food and beers on ice. Marshall did an interesting thing in that he was the one leaving, but he gave everyone gifts. The method that he used was to write everyone’s names on pieces of paper, and then raffle off a bunch of items in a box that he had wrapped up and wouldn’t let anyone open. What was even better was that one of the items being auctioned was a video tape of Giovanni, and a book. These were then won by the person who gave them to Marshall! They came back to their original owner via raffle! Then, I won a metal bell, which when I looked close, had my mark that I always put on my equipment! It was mine! And I won it back! I had also brought a bomba, which was originally owned by Dan and Scott. It’s a long story, but they had passed the co-owned bomba back and forth for years, and had produced much bad blood between them. Then, at one point Scott sold his half of the drum to me, but I held on to it for over a year without Dan’s knowledge just to have a laugh at his expense. So, I chose last night to ceremoniously reveal his bomba, and gave it back to him. He was very chagrined by the whole thing, so it was worth it! The energy in the room was so high that we played each rhythm for about 30 minutes completely exhausting whoever was a little insecure with whatever part they ended up with. The first one I played on was a Columbia and I ruptured a blood vessel in my left ring finger. Rick recorded the session, and Henry got lots of pictures, but I don’t’ know if I’ll be able to get my hands on either. I couldn’t’ stay late since I was leaving early the next morning for Humboldt, so I expect they played until the early morning hours. I got back home by 11:00PM and still did a bit of last minute packing

Today I have just landed in Arcata airport. What a quaint little place! I love it!! It’s about 56 degrees F. and I just put on my sweatshirt. It’s the Middle of the summer and everyone’s roasting around the country, but here I have to wear a jacket! I sat across from Abby on the plane. She’s youngster who’s one of the workshop participants. We had an e-mail exchange two days ago because I had posted on the rider list that I could pick people up since I was renting a car for the week. But, after realizing the folly of spending all that money for the car to sit in the parking lot for the week, I cancelled the reservation. So, that meant that Abby would have to pick up the airport shuttle, which she did minutes ago. So, I’m sitting here and waiting on a flight to get here 30 minutes from now, and good ol’ James will come to pick up myself and two guys coming in on the next flight. They found me the same way Abby did; through the rides wanted section of the camp’s website.

Day 2
Mike and Mike both showed up at the airport, and I called James to come pick us up, but he went to a small airfield to the South of town instead of the Arcata/Eureka airport to the north of town, so we stood out there for quite a while. No big deal,, James eventually figured it out, and we got checked in. Then, we went and saw Howie’s film he always starts camp with. It’s very thorough historically and style-wise for the different types of music found in Cuba. Then, David Penalosa gave a lecture on Bata about where clave is found in Bata. Howie, Venessa, and another guy, I met for the first time, played the three Bata while David played clave. It was very revealing, and I felt like I “got it” this year! At least more so than the previous year. We had dinner and then went to song class where Lazaro Gallaraga taught us several rumba songs. We learned three different Yambu, two Guaguanco, and three or four Columbias. This was awesome! Lazaro is an amazing singer! Wow! And we were all inspired! Its sounded like a choir in that room! Then, we went to the gym and learned a Yambu, Guaguanco, and Columbia dance. Pretty packed for the first day of camp! But, it wasn’t over! Then, we went back to Mannie’s room and jammed on Jame’s nice vintage Valje drums. We officially weren’t supposed to play in the dorm rooms, but no other camps were in session, so we figured, “why not?” It was such a blast playing again with these familiar faces I only get to see once a year. James, Karl, and Mannie. I didn’t sleep well since I was so pumped up from an amazing first day,, but today I’m REALLY tired and taking the time to nap several times during the day. The first real drum class was at 2:00, and we learned two variations of Havana style Palo, and one from Matanzas. This was the level 4 Bantu with Jesus Diaz. James got us a practice room at 3:30 where we worked on the various parts, and finished off with a Guaguanco. At song class I was reminded of exactly who Lazaro Gallaraga is.. He’s the whole reason that I ever became interested in singing any Afro-Cuban repertoire! I never even made that connection until this second night of singing.. I swear that guy’s voice is like butter! It is just awesome! We had a great time singing in that class! Wonderful choir-like coro since so many in there knew his songs.. He hardly even had to teach us a thing! We just sang for an hour and half.. Then went to Rumba dance class. They did have a party that night, but I went to bed.. Too wiped out from the previous days.

Day 3
Today, we started with 9:30 drum class with Francisco Aguebella. He showed us two different Arara rhythms. Then we played an Iyesa. So, I volunteered to be the bell player, and I must say, did a fine job for a while,, but then at one point got sucked into one of the sticking parts that’s quick and punchy and fell off.. Fransisco said, “I know what it is.. You were trying to fit to him.. Don’t try to fit to anybody, we’re all trying to fit to you!” So, everything was fine after that.. Later I got on the Tumba part to one of the rhythms and it was an upbeat that switches from a muffled tone with sticks, to tones. It’s 6/8 upbeats on the lowest drum.. OUCH! That’s a really tough one for me, so I fell off and basically had to give it up. Again,, OUCH.. No worries though, I redeemed my awkwardness with the Tumba part on Iyesa which I’ve played for years.. Dang,, tough class though.. The other level 5 students were definitely all great players! I was probably one of the lowest level players in the crowd.. After lunch, I went back to Jesus Diaz’s class on “Rumba” where the whole point to the class was that “there is no definite way to play Rumba.. As long it fits in clave, and you know where you are in relation to the other parts,, then ANYTHING goes.” So, to illustrate this point he shared what he does when he plays with Sandy Perez, or folks who he feels comfortable with. It’s a pattern based on Guarapachangueo, where the Segundo hits two tones into the four, and the Tumba has a two clave part where on one clave it rolls three bases into the three, and on the next one plays a muff, then tone into the three. It also has a really cool slap dialogue where the Segundo plays a slap right before the one, and Tumba slaps just after the one… The pattern is freaking awesome, so I made sure to get it written out.. I’m an old dog,, and with this new trick, it’ll take me a year to get it semi-playable.. So, don’t be haranguing me to demonstrate it yet! There were two younger guys that picked it right up, and were even making up variations and changes for it in the practice room afterwards. Again, James, our fearless leader got us a room! Go James! We had a bunch of the level 5s and fours in there for a nice practice/Jam session that definitely rocked! Everyone felt good, like they got to play off some steam and converse musically with new friends.. This year really feels like better practice sessions than in the past.. Maybe it’s that people keep coming back, and the music is sinking in for all of us!
After dinner we went to song class again with Lazaro Gallaraga!! He’s so great! What wonderful positive energy! The guy is just glowing when he leads the class.. I got his CD- Arara’, and actually going to put into my laptop after I post this..
We sang all kinds of Arara songs tonight that were just beautiful.. I’m still high from the vocals! Later we’re partying at a local brewery where they have a stage set up for all the maestros from our camp.. Should be pretty cool!

Day 4

That night we went to a Brew pub called the HumBrewery. There were some locals playing guitar and singing sort of like an open mic, then our folks got up there on the stage and rocked the house! Vanessa led a bunch of singing with the second tier players, and then Lazaro Gallaraga got up there to wow us all with is wonderful voice for the rest of the night! Johnny Santos, Chris Walker and a few others rounded out the rest. I drank three pints of beer that night, which is FAR too much for this light weight! So, I got pretty drunk. The next morning I had one of the worst hang-overs ever! I was sick, couldn’t hold down food, had my head over a toilet, and slept off most of the morning. I felt much better by lunch time and went to the afternoon session with Toto Berriel. It was a class on two forms of Bembe Matanzas style. I was especially into the Caja and the variations. Some of us stayed after the class and compared notes. I had messed up where the Kachimbo part fit on clave, which is no surprise, but at least we got it figured out. We then had another really fun and invigorating practice session.
Everyone took naps, and then it was the BEACH PARTY! Now, these beach parties are legendary! And true to form, it was everything I expected and more. I’d have to say the highlight of the night was standing behind Erick Barberia and watching that guy play tumba on Guanguanco! WOW! His muffled tones were so thick! And his patterns really killer! He played it almost like quinto,, and then would come back to the part so cleanly to display amazing virtuosity! He would turn and give me a sideways grin each time he did a new unique phrasing.. He could sense my amazement.. };-D
Other highlights, Mike Spiro on quinto – really something,, I swear he gets better every time I see him play.. Chris Walker’s Caja on Bembe, Jesus Diaz and Ray Gonzales on anything they touched.. Johnny Santos on Bembe lead Shekere, Collin Douglas – Mr. Machine. We had a crowd of 40-50 people and we ALL were singing from our souls! It was truly one of the most beautiful experiences I’ve ever witnessed.. Through this workshop I get to experience first hand some of musical joy that people in Cuba get to live within their culture. I feel so blessed to take part in this once again.
Day 5
The next morning, I go to Level 5 “Cajon de Muerto” with Chris Walker. At least that’s what it said on the schedule, but Chris said that it would be more properly called “Cajon pa los Muertes”. It was quite interesting, as are all of Chris’s classes.. He is so cool and suave that he projects that into his students.. We learned several Plegarias and some really interesting patterns based around the bombo note in 6/8. Then, I went and observed a level 3 dance class with Palo/Yemaya. It started with Johnny Santos on four congas, and a full bata accompaniment. I must say that Johnny’s chops were most impressive! It was fully amazing to watch that for a while. Then, I went to have a tea and relax for while. After lunch it was Iyesa with Toto Berriel. What a fun class!!! I didn’t really learn anything new, except for a bit on Caja variations, but it was quite fun anyway! Song class was awesome as usual, then there was a guest lecture right after it. A lady named Amanda Vincent gave a speech about African Diaspora of bata, and how much has changed in Africa while Cuba retained the old ways. It was very interesting. That night there was an unofficial party in the staff dorms. They were really rocking as usual, and I was one of the fireflies soaking it up..

Day 6 Next morning I miss breakfast and go to Mark Lamson’s level 3 bata class. He is a gentlemanly type with a calm demeanor and VERY thorough! I liked it a lot, so I’m going back the next two days. I’m really a beginner batalero, if that,, so I was just there to observe and soak in what I could. I tapped out patterns on my legs – they call it “mirroring” – and it seemed a good method for learning this music. I already have plenty of recordings and notation,, so I’m not bothering to write anything out. Then, went to my favorite coffee house and had some tea. Back to lunch, then off to Toto’s Conga (comparsa) class! Did I mention I love that guy!? He’s got such great positive energy! You can’t go wrong in one of his classes! I played mostly the bomba, then a bit of bell.. They had what we normally play as the lead on the Segundo, then added quinto on top of that pattern. Interesing.. It helps to round out the conga sound. After dinner, song class included mostly three or four songs to sing over comparsa, then a bit of a follow-up on the Orisha songs we’d been learning the last few days. Then, the second of Amanda Vincent’s lectures on African diaspora of bata, dry and intellectual as it was, still to me, a good addition to the workshops. Afterwards a party at Kevin’s house. Everyone was there, and the music as wonderful as ever!

Day 7 Again, I miss breakfast and go to Mark Lamson’s Bata class. This time I actually played something which I held on the okonkolo. They did a call from the Iya, which I missed because I didn’t know what the rhythm was doing. So, Mark then showed me my new part. It was an off-beat thing and I held it! Made me feel good to hold my own for at least a small sampling of bata. It’s such a deep world and I’m just now stepping my toes in to test the waters.. I’m psyched to play more of this tantalizing instrument. For the second lesson that day, I went to Toto’s Level 4 Arara. I learned the bell pattern fairly quickly, and it was yet another way to play Arara bell.. There must 100s of different variants! I enjoyed this class again because of Toto’s enthusiasm and vast feel of the music. I pulls it out of everyone! Later that night we went to the Humbrewery again for an evening of Rumba and merriment. I was “on the wagon” still and would not have even one beer since that first time there and getting drunk and ruined my taste for alcohol. The students first did a set, then the HEAVY WEIGHTS came out to play! Two worth noting here.. Johnny Santos on the large Bajo playing tumba cajon parts and the tres dos on a conga. He anchored both parts and really did a tasteful and wickedly awesome combination of the two.. I am ever more impressed every time I see this man perform. Howie Koffman our fearless leader! Really crisp tone on his quinto style! He’s been working on his chops and the man is a heavy weight in my book. I’m sure years of playing next to the masters has done it’s part in his ascension.

Day 8 Since I had some pizza last night, I wake up late, miss breakfast, and the start of the bata class. I decide to blow it off, have a leisurely shower, and plan with James on our adventurous day to the beach and redwood forest. We pick up Karl and all three of us go to Patrick’s Point first. The road winds around and we have difficulty finding a parking spot for Agate beach. It turns out that Agate beach has made of rounded gem stones. THE ENTIRE BEACH! The sun had heated up the stones – all of which are rounded – and as we walked towards the ocean, we got foot massages.. It was amazing the feeling on your feet! James immediately started looking around for Agates, even though none of us knew really what made an Agate an Agate. So, we just picked up what our eyes liked the most in the immense pile of beautiful stones. My eyes were picking out the greens, James seemed to like the blues and purples, and Karl liked the reds. Later, James asked a woman who was an Agate hunter, and she said the clear smoky ones were the Agate, which I’ve verified after Googling it. Our next stop was “Wedding Rock” where there is an enormous Batholith with a walking path to the top. We got up there and had a spectacular view of the ocean front below. The pelicans were tiny and skimming the water way down below. The ocean was a deep indigo and small wisps of clouds in the sky. It was truly beautiful. Next stop the Redwoods. So we drove about 30 minutes North to Lady Bird Johnson’s Redwoods. There is circular walking path through the forest that circles several of the extremely large ones with circumferences of 20-30 feet. Unfortunately I didn’t get any camera shots of the redwoods, but I did of the ocean. We got back to the dorms about 4 o’clock. Took a nap, and went to dinner about 6:00. James and I decided to eat out this night – last night and all – and had an awesome sushi dinner at Tomo. The Ngiri slices were about 4X larger than some I’ve had in Colorado. We then came back to the dorms and had an all-out jam session Rumba with Paul, and a few other guys that just happened into it. Then, it was the faculty performance! Wow! It was better than ever! They did Yemaya, Ochun, Rumba, and Comparsa as four different movements. It was well choreographed and they pulled off the Coro with a smaller group of singers than I’ve seen in the past. But, this crew of heavy weights doesn’t need much backup, that’s for sure! I got several pictures of the show. That night, they had the party at Sabina’s house on 6th street, and it didn’t get visited by the police this year! It was really nice. I got to stand right in front of Gallaraga and Toto for most of the night as they smoothly sang throughout the night. Some of the songs are beginning to find their way into my thick skull. I said many goodbyes to my friends as we end this year’s Afro-Cuban camp, and look ahead to next year!

posted in Latin Percussion - 0 replies

Babaluaye two songs with shaker

2008-07-03T13:22:44Z

http://youtube.com/watch?v=lCxnjZPrFOk

posted in Latin Percussion - 0 replies

Puerto Rican Bomba

2008-06-18T22:53:28Z

Just got back from camp Kosmos in Cazadero CA. Studied with Louis Romero. He taught me a break and the basic rhythm for the Puerto Rican "Bomba".
If anyone is interested, I can post it. Right now I'm going through a change in website hosting, but should be up and running really soon.. In the mean time I can send a copy via e-mail and attachment.

posted in Latin Percussion - 0 replies

Congas: LP Compact vs. Pearl Travel

2008-05-19T23:48:09Z

Have you played both LP's Compact congas and Pearl's Travel congas?

Which do you prefer, and why?

Many thanks!

tara

posted in Latin Percussion - 1 reply

Congolaye

2008-03-31T20:08:49Z

Hi everybody,

I am looking for sheet music or score of the rythm Congolaye. Do you have it please ?

ZunZun

posted in Latin Percussion - 3 replies

Humboldt '08 Time to Start Planning!

2008-03-23T15:59:57Z

I feel the energy rising!

This year's tax returns allocated to my favorite Summer Drum camp in Humboldt! Just got the flight confirmation! Airlines must be hurting since it was only in the $300s round trip Denver to Arcata, only one flight change!

http://www.humboldt.edu/~extended/afrocuban/

Here's their bulletin board.

http://www.humboldt.edu/~extended/afrocuban/board/index.php

Dave

posted in Latin Percussion - 0 replies

Current Practice page

2008-03-05T22:20:05Z

Just in case anyone shares my interest with practicing these rhythms...

http://animaldreams.net/cong/currentpracticerhythms.htm

posted in Latin Percussion - 3 replies

study opportunities in the east?

2008-03-05T04:16:50Z

hey everyone,

Dave has let me know of a couple of great-sounding Afro-Cuban/Latin drumming intensives happening in California, and I'm wondering if anyone on here knows of any in the east. I'm in Toronto and could more easily travel to Boston, New York, etc... I'd love to find a shekere intensive somewhere... and more Afro-Cuban in general! any recommendations?

posted in Latin Percussion - 0 replies

vids of Bamboche on TV in Feb.

2008-03-02T18:00:33Z

4 new videos from our latest gig on CCTV Jazz World Alternative Feb. '08

http://youtube.com/profile_videos?user=windhorsage&p=r

posted in Latin Percussion - 0 replies

WEIRD PERCUSSION Tribe formed

2007-09-09T06:33:01Z

WEIRD PERCUSSION TRIBE formed
tribes.tribe.net/weirdpercussion

Today in a hardware store, I found myself staring at a whole display full of magnets of different sizes
while waiting for some keys to be made for me. Because lately I"ve been on this kick to take normal
cymbals and gongs and extract new sounds out of them, I've been fascinated by putting chaing and
other rattles on them.

Anway, I have three sets of these super magnets that you throw in the air to make weird buzzing sounds as
they attract to each other when it occured to me that it might be really cool to put each one of these
magnets on opposite sides of a cymbal. Sure enough, you can cause some really cool faux distortion
sounds out of the cymbals.

Then I tried it on a small pitched wind gong. I struck the gong and then moved the magnets and got the
coolest sound to come out of it.

I just wanted to share it with someone and realized that there was no place to officially do so at Tribe,
so I decided to start the WEIRD PERCUSSION TRIBE.

Come join me if it sounds interesting. tribes.tribe.net/weirdpercussion

posted in Latin Percussion - 1 reply

IFE ILE in Boulder this Labor Day Weekend!

2007-09-07T12:32:01Z

Whoof! What a weekend!
http://www.colorado.edu/theatredance/dance/afrocuban07.html

The group - IFE ILE came from Miami to grace our presence from Thursday night Aug. 31st - Sep. 2nd with workshops everyday three times per day.
The group included instructors Neri Torres, Ezequiel Torres, Yofvany Gonzalez, and Yanitzia Mizrahi.
The first night was a movie made by Lazzarro Ross, which I unfortunately couldn't make. My friends said it was really awesome, and that it would be a good one to try to snag somewhere.
Then, they came to the CU campus where they first gave a full production show on Friday night with lights, sound, costumes, dance, drum and song on stage. It was really good and reminded me of the Humboldt Afro Cuban camp's productions - though on a smaller scale.
Then, They gave workshops for the next two days on Rumba and Orisha dances, bata drumming, and Chekere. Several of us local tumberos accompanied the musicians each time they gave a dance class. They somehow recognized that I could play and let me join them every time. They were amazingly nice and open as well as being very accomplished.
Last night we ended the festival with a big 'Rumba Dance Jam'.

I met a bunch of new interested folks who may join our study group, and got re-aquainted with several of the extended parties who come and go from our Afro-Cuban local music scene.
Wow! What a great weekend!

posted in Latin Percussion - 2 replies

Off to Humboldt tomorrow!

2007-08-03T17:07:11Z

Setting sail (by car) for the West Coast tomorrow! 7/9/07
If there's anyone on the list that might be on the path of my travels through Salt Lake City to San Jose, up the coast to Arcata, and up I5 to Portland and back through Wyo to Co, then let me know!
I'll check mail a bit at various stages of the trip.

Dave

posted in Latin Percussion - 1 reply

Humboldt 2007!!! Who's going!?!?!?

2007-06-26T23:55:47Z

http://www.humboldt.edu/~extended/afrocuban/registration.html

I know it's really early to be thinking of it,, but,,,
I vowed a few years ago to never miss one of these. So, being the hugest crazy proponent of the annual Humboldt Afro-Cuban Song, Dance, and Drum workshop, thought I'd stir up interest for this year's gathering of fabulous folks on the path of the best music the world has ever known.

Who's down for this year!!!!?????
Save up your buckazoids and make it happen!!!
It'll cost you about $5-600 all expenses for a week up close and personal with some of the best musicians in the world..

your moderator,
Dave

posted in Latin Percussion - 6 replies

Percussionist/Teacher......

2007-06-12T19:32:47Z

HEADER - Percussionist Available in PNW (sessions, substitutions, tours and pick up dates).

"JC" Johnny Conga is available for session and live work in the pacific northwest.

"Johnny is the consumate pro.“Johnny’s attention to detail, amazing technical prowess and tasteful approach make the job of producing so much easier. His ability to try new ideas, his impeccable timing and his patience make him a critical member for any recording and I will be using him on anything I need percussion on.”
- Producer and founder of Protectomatic Music and Entertainment - Loren Weisman

Johnny Conga’s career spans over four decades, hundreds of bands, twenty grammy winners and numerous world tours. Some of his amazing highlights include work and appearances with Joe Panama, Charlie Palmieri, Gloria Gaynor, Johnny Colon, Sergio Mendes, Mongo Santamaria, Maynard Ferguson, Gloria Estefan, Arturo Sandoval, Paquito D'Riviera, Dave Valentin, Garrison Keeler and Mose Allison to name a limited few.

Please respond directly to this add or visit www.myspace.com/jcjohnnyconga to get rates and availability.

Also visit www.pearldrum.com/percussion.htm, the drums and percussion that Johnny endorses.

I am also available for "one on one" study of the Cuban method of playing the Conga drum and all that goes with it...email at johnnyconga@hotmail.com

posted in Latin Percussion - 0 replies

dame el ritmo! percussionist/ drummer wanted!!!

2007-06-12T19:29:46Z

Where are all the beat making sisters at????
I am looking for a percussionist and/or bass player to work with on some live acoustic sets in June- I am open to anyone of any gender really, but looking for a woman for one show in particular where all the performers need to be women-
I will be playing at Harmony Fest June 8-10th (open to working with men here) and then at Dyke March on June 23rd (which is an all woman event attended by about 50,0000 people!!)
I am hoping to find someone to work with for not only these events but also others in the near future..
My music is a fusion of soul, reggae, jazz, hip- hop... with a little Cuban essence here and there- I am a singer and play guitar- most of the songs will be originals though there will be some old blues and soul covers/remixes a la Cleome
Im looking to produce beats soon but for the time being am developing some acoustic sets to get the music out there -
It would be ideal if you have experience with hand drums, and world percussion instruments...and a blue and funky spirit influenced by blues, conscious hip hop and world music. The songs are not too complicated and simple yet rich and unusual percussion and rhythm fills are desired.
Please respond as soon as you can so we can meet and I can show you what I do and you can see if you like it! Even if you cant make these shows I'd like to meet you for future work. Its important to me to bring pure open hearted energy to the music with consciousness and honest feeling---
Blessings all- please send this on to anyone you might think may be interested...
Peace
Cleome
check me out on tribe!
FREE*THE* MUSIC!!!

posted in Latin Percussion - 1 reply

(Downtown L.A. 5/18) Closer w/Patrick Wilson, Reel Soul & DJ Abdul

2007-05-11T23:12:06Z

Friday 5/18/07

terryberry Presents:

Closer w/

Patrick Wilson
(Ricanstruction, Nulife-S.F.)

L.A.'s Own:

Will "Reel Soul" Rodriquez
(Sole Channel, Movin' L.A.)

&

Abdul aka DJ GP
(Thang L.A., FTWK-L.A., Talkin Soul)

Closer Fridays @
1930 N. Pasadena Ave.
Los Angeles, CA. 90031

21 & Over 9PM-4AM
$5 B4 Midnight $10 After
INFO: closerfriday@yahoo.com
www.myspace.com/terryterry

Powered BY:
Robbipromoter@aol.com &
Universal Rhythm Productions
www.universal-rhythm.com

posted in Latin Percussion - 1 reply

"Batucada L'Atelier"

2007-05-03T17:09:48Z

"Batucada L’Atelier”
“Drumming Workshop”

At

ReBooT
37 Ave. A (2nd & 3rd St.)

Thursdays at 9 PM

Calling all drummers…. come and join us on Thursdays and be in the
Dance Parade on May 19th

This is a Brazilian Style drumming group that has played together for more than 5 years and has decided to take the magic that happens every week and introduce it to the general public. Batucada is a verb meaning drumming and is a Brazilian term for drum circle which is usually "Samba or Samba Reggae". We however do some other rhythms like Condombe' which is Uruguayan and Guaguanco which is Cuban, but it all comes back to Africa when you talk about drumming. We do also blend these rhythms with other instruments like electric guitar which gives the drumming a more song like structure and becomes what I can only describe as a "Funky Santana" Feel. We are also participating in the Dance Parade (We'll be providing the beat to move your feet) and will hopefully attract some more drummers to join us when we hit the streets. ReBoot is a newish Vegetarian restaurant which is related to Two Boots and has great vibe. They have lots of vegan and live things on the menu as well as offering the amazing pizza which does have some meat.

posted in Latin Percussion - 0 replies

Bamboche video at Dreamtime last year

2007-05-02T12:15:19Z

Here's a video of our band Bamboche playing at the Dreamtime Festival last year!
It's over an hour long video, and we aren't included until over half way through the video, so unless you're interested in all the scenery, you can scroll to the middle to see us playing. They got just about all of our music.

http://video.google.com/videoplay?docid=2261968672137051747&q=Afro+Cuban+Drumming&hl=en

posted in Latin Percussion - 0 replies

New Website on Lyrics to Cuban Music

2007-04-07T12:36:34Z

I'm just in the beginning stages, and don't know how many songs I'll eventually record and put on there, but it's something to help me get better as well as a possible resource for those interested in learning the songs and how they fit to bell (6/8) in Bembe, or clave (4/4) in Guaguanco, Yambu, or Iyesa.

I sang and played the bell for a single take on each sound clip, and wrote the lyrics out in a grid placement to be fit with clave and bell.

http://animaldreams.net/cong/voc.html

Feel free to make comments, but be careful! The voice is a personal thing to air out there to the world!

Dave

posted in Latin Percussion - 3 replies

Seeking latin dance instructors for corporate classes in SF

2007-03-28T00:39:49Z

Hi,

I am interested in organizing a group dance lesson at work for our Hispanic Employee Association. Interested in a 6 week series, with somewhere around 10 students. We are located in San Francisco, at Van Ness & Hayes. Times could be at noon or at 5PM, any weekday. Please send me a private message to let me know if you know anyone who would be interested in teaching. Thanks!

Lulu

posted in Latin Percussion - 0 replies

"Free Online Percussion Lessons"

2007-02-22T20:41:31Z

I have the pleasure to announce you the on-line publishing of my new site : "Free Online Percussion Lessons"
This site is completely devoted in afro-cuban percussion rythms courses suggests you music courses in video.
All of the instructional material is free !!!
To find you there easily, the lessons are classified by instruments (congas, bongo, timbales...) then by categories (initiation, technique, style, practice routine...).

Free Online Percussion Lessons

See you soon

posted in Latin Percussion - 2 replies

Cajoneros, are you out there?

2007-02-05T04:13:18Z

Hi Everyone,

I'm interested in connecting with percussionists who play the Afro-Peruvian cajon. What are your experiences? Where are you located? What is your playing style?

Natalie

posted in Latin Percussion - 3 replies

Camberto!

2007-01-24T15:25:33Z

hey everybody --

I'm just wondering if any of you have experience playing, teaching, or performing the luscious and deep-trancey-wonderful Haitian rhythm Camberto. I've been working hard on it with my students over the past six months or so and it's getting really deep and amazing. I highly recommend doing some work with this one if you haven't! it's not too crazy-complicated, so people will need a little experience, but they'll be okay if they're fairly new, as long as they're articulating their tones and slaps properly. the melody hidden in the core of camberto is really something.

I'd also love to learn anything you might know about Camberto in terms of how it's used traditionally, etc. my teacher didn't fill me in on this when he showed it to me. it feels very spellbinding, intense, and trancey. magical.

posted in Latin Percussion - 1 reply

Please share your practice and/or learning strategies

2007-01-13T20:37:56Z

Hello,

Even though I am a teacher and instructional designer (curriculum developer) by trade, I have a very difficult time coming up with a practice strategy to meet my needs or/and personal learning style. So, basically I don't really practice alone much and my progress shows when it comes to independence.

I've always thought it was my inpatience and an ability to focus (ADDDDDDD) But wait, I develop and write curriculum. This should be easy for me. All I have to do is write objectives and develop excercises to meet those objectives. .... Yeah right. I have so much information it is really an overload.

Anyway, I am very interested in others strategies of practice as well as your own personal learning style. If you like, please share to help us all become the best players we can be.

Also, has anybody taken classes where the teacher uses more of a holistic approach and singing such that there is less emphasis on learning the parts, and more emphasis on the whole rhythm? See, if I only learn the parts, I will never remember the whole rhythm unless i then take it to multiple drums or create a melody of the rhythm that I can sing. Doesn't always work though.

posted in Latin Percussion - 9 replies

Recipe for Ethereal Jam

2006-11-24T17:35:05Z

Ingredients:
Roots
Flesh
Nuts
Fruit

Take root of your choice (ie Guaguanco, Bembe, Yesa) and squeeze it til juice comes out. Don't worry about the juice, it's ethereal and dissapears when you stop squeezing the root. It will not stain the clothes, only the mind.

Now you are gonna need some flesh. I'd suggest bass or a big cajon. This will help hold the flavor of the root juice steady.

At this point, your mixture should be a smooth consistency. A little too smooth for my tastes. Maybe its time for some nuts. My favorites are singers (or chanters if you prefer). Nuts really help break up the smooth underlying texture and flavor.

Now, what would any jam be without fruit? In order to harvest some fruit, you are gonna need some tools. I use a big hoe blade or an old cow bell. I also like to recruit lots of friends to help with the harvest.

Now simmer these ingredients in a large space with lots of people. You will know when people start dancing that your ethereal jam is complete. The jam is tasty after only 15-20 minutes, but it should really be simmered for a few hours for the full flavor.

WARNING: USE AT YOU OWN RISK!
Ethereal Jam may be habit forming and may cause temporaray insanity leading to talking in some strange "boom boom, ticky ticky" language with other "jammers".

posted in Latin Percussion - 2 replies

Salsa Conga Tuning

2006-11-24T13:27:36Z

I've been experimenting with different conga tunings lately. I'm curious what tuning methods some of you use. I have 3 Patato series LP fiberglass congas (basically a Galaxy). I keep the tumba all the way as low as it will comfortably go, then try to go by "root fourth" method to get to segundo. You have heard of "do re mi fa so la ti do" , the singing thing. I use this. The tumba becomes the DO note, then I sing up to FA,,, do,,, re,,, mi,,, fa.
Then the same process for the segundo to quinto.
This is what some friends have taught me, and sounds nice, but I have been listening to a lot of salsa and latin jazz recordings lately, and there are a lot of different tunings. So, any ideas?

posted in Latin Percussion - 0 replies

Concepts in Mike Spiro's book

2006-11-21T15:04:54Z

hello again,

for all those people out there that are familiar with Mike Spiro's guidebook, I was thinking about taking one of his amazing concepts to develop a little flash module that would enhance the instructional value of the concept with interactiviy and plus!!!!!

I am doing this out of the kindness of my heart and cause Mike rocks!!!!

I plan on sending it to him and if he likes it, maybe he will link it to his site or something. Anyway, I could use some help on which concept to address in his book. Any ideas are appreciated.

ps, if you don't have this book get it. Although it is more for advanced players, it provides clear instructional principles that help you develop cognitive pathways of understanding for years to come. You will be able to create your own solos and songs instead of becoming a drumming parrot like some many others in the world.

thanks lisa

posted in Latin Percussion - 1 reply

Practice Disc Idea - A cross post with Yahoo's Latin Perc

2006-11-15T15:35:05Z

As far as practicing quinto, Cliff Brooks has a very nicely structured set of practice discs that come with his Mel Bay printed quinto books.. Many of the tracks have Salidor and Tres Dos, and/or clave played with and without quinto at various speeds, so you get quite a selection of possibilities.

I think what you're proposing, for those who aren't blessed with "practice buddies" is a great idea!

I can't imagine not having the resource of individuals who play better than me, either coming through town and sharing their good stuff, or living close by and meeting up with them on a regular basis. It's posts like this one that remind me how blessed I am. You and I are in the same ball park with "just coming out of the closet" with singing and attempting leads.. I've been practicing the singing mostly with bell, and I find that moving to the drum with song is extremely easy after "getting it" with bell.

I've got a project planned where I'm going to record the songs I know well along with bell, and include the written music as an accompanying link. It'll be a nice resource hopefully for my friends who are learning a little a bit behind me, as well as a goal to hone the skills. Every time you produce something in a recording, or write something, you get slightly better, but I feel that the feedback loop of having friends available, to hone slight mistakes in the singing or timing I'm making, along the way is completely invaluable!

All the best in your project!
Dave

-----Original Message-----
From: latinperc@yahoogroups.com [mailto:latinperc@yahoogroups.com] On Behalf Of Steve Tierra
Sent: Thursday, November 09, 2006 11:07 AM
To: latinperc@yahoogroups.com
Subject: [latinperc] Rumba Practice Disk ?

I'm looking for comments on an idea here folks. Help me out if you will.

I live just far enough away from a concentration of players to make
tight,focused practicing difficult, if not virtually impossible. When
our local group gets together the venue rarely allows any one person
to practice their particular desired interest to much, if any depth.
When the time wavers or clave and guagua are playing 'crickets", its
hard to focus on developing your segundo or quinto licks, for example.

In my particular case, I'm very timidly attempting to sing lead and
coming out of the closet (out of the shower?) to do this in "public"
is challenging.

So....an idea has come up to produce (for want of a better name) a
"practice disk", recorded by strong professional players in a studio
sitting, with all three rumba types recorded at least two tempos, and
with a sub set "missing tracks" for those styles, for example, a
moderate tempo yambu without qunito, or a fast tempo guagunaco
without salidor. All tracks would be long enough to 'get into" and
all would cut without song to allow novice singers to at least get a
small leg up before going public.

I've spoken to a well known SF area player and, while we both agree
that the potential market is limited, it seems possible to fund for a
reasonable amount so that copies of the disk would be available in
the $20 range.

Thoughts? Any interest?

Thanks

posted in Latin Percussion - 1 reply

New Cuban Danzón-Son-Mambo-Chachachá-Casino DVD from Boogalu

2006-10-06T21:17:04Z

Greetings,
Just released from Boogalu Productions: "Danza Charanguero" DVD - popular dances of Cuba

"Danza Charanguero" is a spirited celebration of Cuba's popular music and dance heritage focusing on the danzón, son, mambo, chachachá, and salsa-casino.

Filmed in a beautiful outdoor patio in Old Havana, this relaxed party-performance features a gathering of seasoned "charangueros" (music and dance enthusiasts) drawn from the professional and aficionado dance World of Havana. Inspiring the party is the legendary twelve member orchestra "Estrellas Cubanas", with their classic charanga sound of violin, flute, piano, bass, and percussion.

Accompanying the DVD are extensive interviews with several of the participants who talk about their artistic lives and go into depth about the evolution and rich history their music and dance tradition (subtitles in English).

For more information on the Danza Charanguero DVD and to see a movie clip, click on this link:
http://www.boogalu.com/generic_danza.html

Boogalu DVD Catalog:
"Tremendo Vacilon" a panorama of Cuban music & dance
"Rumbon Tropical" a rumba party performance
"U Laka Laka La" Carnaval La Habana 2003
"Casino Cubano" learn Cuban style salsa
"Rueda Collection" rueda de casino from Santiago
"Mueve La Cintura" salsa Cubana styling
"Salsa Suelta Candela" hot loose salsa without a partner
"Rumbambeo" folkloric music and dance
"Descarga Pi-Mozambi-Son" Cuban music jam session

To see the complete Boogalu catalog click here:
http://www.boogalu.com/generic94.html

posted in Latin Percussion - 0 replies

Seeking: High Energy, Sassy Song for Burlesque Performance

2006-09-14T17:46:20Z

Hi,
I am doing an retro striptease-burlesque dance piece and need a latin rhythm song that has high energy, lots of accents, hits, breaks, (not sure what they are all in musician's language)--something really fun and dramatic for shakin' it and takin' it off. Anyone here with any ideas? Seems like most of the latin stuff i find is made for partner dancing, so that the rhythms are a bit too even and continuous. I'm looking for something a little more expressive and dynamic.

Please holler if you have any ideas!

Thank you so much! -Katita

posted in Latin Percussion - 3 replies

FREE World Percussion Clinic Sat. Sept. 23 in Oakland

2006-09-14T17:41:44Z

Hello Friends of Clave:

My name is Robert (also called Bobby in the Brazilian music scene) Wallace. I'm a percussionist in Oakland, CA and this is my FIRST POST to any tribe!!

My background is in West African dance, Afro-Brazilian and Afro-Cuban percussion and dance, and soul, funk and gospel music. My full bio (if you are interested): www.totalrhythm.com/about.html

I'm expanding my teaching and offering a FREE WORLD PERCUSSION CLINIC on Saturday, Sept. 23 in Oakland. Details below. Please join me in this free community event as we explore the rhythms of the world!

FREE WORLD PERCUSSION CLINIC:

Do you know the difference between soca and samba? Can you tell a surdo from an
udu? Do you know what makes a cuica cry?

Here is your chance to answer these and many, many more questions about world
music and world rhythms. And it's ABSOLUTELY FREE!

Presented by Robert “Bobby” Wallace** (Click here for Robert's bio:
www.totalrhythm.com/about.html )

In this FREE World Percussion Clinic, Robert will play and demonstrate
basic technique on the following world percussion instruments: surdo, chekere
agogo, caxixi, pandeiro, talking drum, rebolo, djembe, tambourim, ganza, cuica,
congas, bongos, clave, shak-shak, gangogui, udu.

Robert will share rhythms from Jamaica, Africa, Brazil, Trinidad, the USA, and
Cuba. Cultural backgrounds and insights will be shared for each rhythm and
instrument and ALL ATTENDEES WILL HAVE A CHANCE TO “SAMPLE” THE INSTRUMENTS!

FREE WORLD PERCUSSION CLINIC:

WHEN: Saturday, Sept. 23, 2006
1:00pm - 2:15pm

WHERE: Temescal Arts Center
511 48th Street
Oakland, CA

Cost: ABSOLUTELY FREE! No registration required.
Just show up ready to learn about world percussion. Family friendly.

For more info. about Robert and Total Rhythm:
www.totalrhythm.com.

For a complete list of Fall 2006 School of World Percussion Classes:
www.totalrhythm.com/school.html#small

In The Flow,

posted in Latin Percussion - 0 replies

Alicia Fall Band at Herman's on Saturday, August 19th!!!

2006-08-20T23:23:36Z

Come check us out at Herman's Hideway on S. Broadway in Denver on Saturday, August 19th at 8:30pm.
Please introduce yourself to us and let us know you heard about us on Tribe!

www.aliciafall.com

See you there!

posted in Latin Percussion - 1 reply

Miguel ‘Angá’ Díaz - RIP

2006-08-13T14:10:44Z

I am shocked and saddened to about the death of the great Cuban conga player Miguel ‘Angá’ Díaz who died unexpectedly at his home in Barcelona on 9th August 2006, he was 45. I saw him play in London on 15th April 2006, and was blown away by his virtuosity and range of style.

With his explosive soloing and inventive five conga patterns, Angá’ was widely regarded as one of the world’s great congueros. He was committed to the development of the conga drum, breaking down traditional percussion barriers to perform traditional latin rhythms, jazz, jungle and hip-hop, whilst retaining his distinctly Cuban roots.

Angá began playing prodigiously early, performing and recording professionally whilst still at college. He made his name as part of the pioneering Latin jazz group Irakere and it was with them he perfected his five drum technique. Emerging in the mid-nineties as an independent musician Angá was free to diversify and pursue a variety of different projects - from the experimental jazz of Steve Coleman and Roy Hargrove, to hip hop with Orishas, to his tours with Omar Sosa, and numerous side projects with musicians from all over the globe, Angá’s musical journey was a personal quest to explore and create new sounds and rhythmic fusions.

More than just a performer, Angá further demonstrated his commitment to the development of his instrument by teaching master classes at various schools and universities across North America and Europe. Angá produced a tuition video in 2000 which explained many of his techniques and his philosophy behind playing, it won Percussion Video of the Year from Drum Magazine. Angá would continue to teach on a regular basis and built up a network of students from his base outside of Barcelona.

Angá’s first project with World Circuit was the hugely influential Afro Cuban All Stars album recorded in 1996 which showcased the depth and vitality within Cuban music. Angá became an integral part of World Circuit’s extended Buena Vista family adding his trademark sound to albums from Rubén González, Ibrahim Ferrer, Omara Portuondo, Guajiro Mirabal, and the second Afro Cuban All Stars record. Angá’s own musical vision would emerge with the release of the album ‘Cachaíto’ an inspired union of Afro-Cuban jazz, reggae, hip hop and funk which he recorded with the Cuban bass legend Cachaíto López. Building from the foundations laid by Cachaíto’s record, and incorporating elements of his own Santeria religion, Angá would finally fulfil his dream in 2005 with the release of his critically acclaimed album ‘Echu Mingua’, an exciting fusion of styles blended together the ‘Cuban way’ and is a fitting testament to the career of one of the great musical innovators.

posted in Latin Percussion - 1 reply

Serious bass player wanted!!

2006-08-10T13:32:39Z

Hi,
The Alicia Fall Band is replacing our bass player. If you know someone who is interested in auditioning with us, please contact me via this post. We rehearse on Tuesdays and Thursdays (Denver), and average 3 - 4 gigs a month. We are looking for a bass player who can make these committments up front. For a sample of our music check us out at www.aliciafall.com

Looking forward to hearing from you!

posted in Latin Percussion - 0 replies

FireDrums IV Sept 28 - Oct 1

2006-07-31T00:37:48Z

http://firedrums.tribe.net/thread/9b3ffac0-4268-43ff-ab20-62784aa1490e
Please check out this thread and join us for the 4th FireDrums gathering in the beautiful Santa Cruz Mountains September 28th thru October 1st.

posted in Latin Percussion - 0 replies

What's Your Gig?

2006-07-12T17:07:24Z

So, looks like a few people are starting to gather in our little corner of tribe.net!
Sound off...
What you brought you here? What instrument(s) do you play?
What do you know?
What would you like to learn?
What would you like to share?

Me, I'm crazy about Afro-Cuban, and have been playing at least 3 or 4 days a week for over 2 years straight.
Been learning from two excellent drummers, and one incredible expert who studied with the Monequitos, who lives about an hour away.

Played didjeridu for 8 or 9 years before this.

Dave

posted in Latin Percussion - 28 replies

some clips

2006-06-21T23:57:43Z

http://animaldreams.net/cong/palo2.mpg
http://animaldreams.net/cong/bells2.mpg
http://animaldreams.net/cong/boxes1.mpg

posted in Latin Percussion - 6 replies

Giggage in April!

2006-05-27T15:19:26Z

http://animaldreams.net/cong/bambochegoat2sml.jpg

posted in Latin Percussion - 4 replies

"Anga" Diaz Concert

2006-04-19T20:06:42Z

Where you at the Barbican , Londonon on Saturday night (15th April)?
If not then you missed a sensational UK debut of Diaz's nine piece Echu Mingua band/project as part of the La Linea season. The mix of cuban/jazz/african/ was sensational.
The calibre was musicianship was first class, with excellent solos, interchanges and the complex rhythm patterns were at time mind blowing. In fact the playing here made the studio album seem at time pedestrian.
This one will stick in my memory for a long time!

posted in Latin Percussion - 4 replies

Modern Music links to Cuban Music in Ned Sublette's Sound Clip

2006-04-08T18:02:05Z

You may find this Sound clip to Ned Sublette's Monologue on the history of Cuban Music and its influences on American Popular music interesting. It would make for an good discussion item for our mostly silent forum. Many of the roots of our own popular music and the particular rnythmic and chordal changes that come directly from Cuban music are pointed out pretty well in this short dialogue.
Have a listen, and post what you think! Even if you don't know much about Cuban music, the links to our the roots of modern music are tantalizing!
Windows Media
http://www.kexp.org/audio/learn/NedSublette.wma
Real Audio
http://www.kexp.org/audio/learn/NedSublette.rm

My comment would have to be that, I was one who also never considered that Latino Music had much to do with Modern music. I had always lumped their influence into the "African" diaspora. I suppose that's not really wrong, since the true "origins" are African, but we forget that much came through Cuba on the way to our scores..

posted in Latin Percussion - 1 reply

New Bomba tribe!

2006-04-06T06:20:18Z

For the dancers, singers and drummers of bomba...this tribe's for you!

http://tribes.tribe.net/bombalovers

posted in Latin Percussion - 0 replies

Anybody teach conga drum lessons in Washington DC?

2006-03-20T15:09:14Z

Greetings!

I am searching for a conga drum instructor in D.C> who is not expensive. Does anyone know of one they could reccommend?

posted in Latin Percussion - 2 replies

Rainbow Gathering '06 and forming an Afro-Cuban "drum circle"

2006-02-27T04:26:05Z

A couple of our local tribe in CO are starting to talk up an Afro-Cuban drum circle with congas and our own brand of Rumba/Bembes with song and what-not..
Looks like primary site is Nederland.. Hope to see y'all there!

Dave

posted in Latin Percussion - 0 replies

Help!

2006-01-07T16:56:08Z

i need a latin percussionist or bongo player for a february party in los angeles....can anyone help me? or point me in the right direction?

thanks in advance!

posted in Latin Percussion - 1 reply

Agbe

2005-11-27T16:29:47Z

http://animaldreams.net/cong/agbecaja.avi

This is my first attempt at an instructional video clip.
It's a small clip of Agbe - the caja, or lead part - played on the lowest drum. The other parts are bell - which is an arara' that skips the one, and three tuned Chekere. The lowest Chekere plays 6/8 bell with a fat tone on the bombo. The big tone on the lead chekere coincides with the big bass on the 2 (if you're counting to six) of the caja.
The pattern is:

cnt: | 1 & a 2 & a | 3 & a 4 & a ||
bell | - X X - X X | - X - X - X |
Caj: | b t B b S t | b t b b - S |
hnd: | L L R L R L | L L R L - R |

Enjoy!
Dave

posted in Latin Percussion - 2 replies

Moperc Congas - Anyone played them?

2005-11-23T03:49:01Z

I just heard about some congas from Moperc Percussion. Everything I have heard about them is really good. I'm curious if anyone has played them or has any more info.

posted in Latin Percussion - 2 replies

New Tribe - Djimbe and Didjeridoo Tribe

2005-11-16T16:54:54Z

be sure to check out Djimbe and Didjeridoo Tribe join or just check it out.Peace.

posted in Latin Percussion - 0 replies

philly afro-cuban

2005-11-14T18:59:35Z

any hot groups in Philly that I can check out? I'm new
here, and don't want to have to go to N.Y. to get my
fix!

posted in Latin Percussion - 1 reply

new pics for all...

2005-10-28T20:01:38Z

i noticed a shortage of photos in the gallery, so i kinda tripled it's size, hope that's cool with everyone. these are all from one week in 2003, at the afro-cuban workshop in arcata, ca. they are in reverse order. there are MANY notables in the pics, see if you can spot them.

posted in Latin Percussion - 3 replies

what's up everybody, got questions?

2005-10-06T18:26:30Z

hey if anybody wants to know about the details of guaguanco, columbia, yambu', abacua', bembe', iyesa', and bata'. feel free to ask your newest member in arcata, ca. glad to meet other people who love this music!

posted in Latin Percussion - 4 replies

Guarapachangueo

2005-08-27T22:15:00Z

Hi Dave,

I saw some variations of guarapachangueo in your congablock. Very interesting !
Do you have more variations of guarapachangueo ?

ZunZun

posted in Latin Percussion - 3 replies

Drum in SF East Bay?

2005-07-15T21:53:48Z

Just joined the site - looking to meet some people to play some afro-caribbean rhythms with. I've been going to the Berkeley Marina in the evenings when the weather's nice, or on weekends, and also up in Tilden Park, but would be open to playing elsewhere if you know a place.

James

posted in Latin Percussion - 0 replies

Revolutionary nomadic tribe

2005-07-13T02:28:17Z

I'm starting a nomadic tribe, intended to both demonstrate alternatives to mainstream society and promote the widespread sharing of information on tribalism, biocentric ideas, and the threat of society. I'm looking for good people interested in a somewhat minimalist tribe to travel nationaly or globaly, supporting each other through non-mainstream paths like art and music, and working to spread some of the messages that a modern destructive society needs so desperately to hear. I'd like to create a truly tribal experience, and I think that there's a lot of fun to be had and good things to be accomplished. Knowledge of tribalism, life sciences, and social problems a plus, but not neccesary, there's plenty for all of us to learn. Knowledge of tribalism, life sciences, and social problems a plus, but not neccesary, there's plenty for all of us to learn. No hard drugs, alchoholism, sexism, racism, or negative lifestyles/behaviors please.

Like to explore a new path together? I'd love to hear from you.

James

posted in Latin Percussion - 0 replies

Tonada and toque de mani

2005-07-07T12:32:19Z

Hello to all members,

I like two rhythms very much : toque de mani and tonada trinitaria.

I am looking for all the possible infos on his two rhythms: songs, rhythms, transcriptions etc.

I would like to speak about it too...

ZunZun

posted in Latin Percussion - 14 replies

Percussions discussion

2005-07-06T12:49:30Z

Hi everyone.
I just got info about this forum so I am trying it. I hope this will be a nice experience.
I wanted to start a topic about percussions in general. I am building a website dedicated to world percussions and I am seeking help on a few things. Go check plapata.com, this is the press kit version of the site.

So here we go, how about sharing rhythms, info on rhythms and backgrounds, tips on techniques and how to care about drums...

I will be waiting for your replies.

See ya

B

posted in Latin Percussion - 12 replies

Drum Camp Registration at Humboldt

2005-07-05T05:17:12Z

It's up!!! Woohoo! OK,, everyone who's going,, raise your hand! And then hit a drum...<g>

http://www.humboldt.edu/~extended/afrocuban/registration.html

posted in Latin Percussion - 3 replies

Your top 10 favorite Afrocuban CD's

2005-07-03T01:07:19Z

Let's start a list of excellent afrocuban cds on this tribe. This way new members or poeople interested in afrocuban music can get a jump start.

posted in Latin Percussion - 8 replies

Cuban Music Tribe!!

2005-07-01T07:01:13Z

Hey there's a new tribe dealing strictly with Cuban Music and performers. Visit:
tribes.tribe.net/grupocubano

And post all those great records that you have of crazy Cuban drummers! Also, if you play the stuff, this will soon be a good place to network.

If you know any string, piano, tres, or singers, please invite them as well!

posted in Latin Percussion - 0 replies

ZunZun Audio files...

2005-06-30T16:35:37Z

Hi to all,

do you want to some audio files played by my students ?

http://ptouvet.free.fr/56K%20CONCERT/14%20TRAD%201.wav

http://ptouvet.free.fr/56K%20CONCERT/15%20TRAD%202.wav

http://ptouvet.free.fr/56K%20CONCERT/16%20TRAD%203.wav

http://ptouvet.free.fr/56K%20CONCERT/17%20TRAD%204.wav

http://www.congaplace.com/instrument/congas/rhythms/bembe.mp3

http://www.congaplace.com/instrument/congas/rhythms/yesa.mp3

ZunZun

posted in Latin Percussion - 2 replies

ZunZun Videos

2005-06-30T15:53:03Z

Hello to all,

do you want to see somme ZunZun percussion videos ?

http://www.congaplace.com/musician/lamy/Marchaon3Congas.WMV

http://www.congaplace.com/instrument/congas/rhythms/Arara_Invento
.wmv

ZunZun

posted in Latin Percussion - 0 replies

terminology and background

2005-06-30T13:09:58Z

Thought I'd start a thread on the terms that get bantered about on this tribe. Perhaps not everyone who visits knows how the congas are used in traditional Cuban ensembles, or what the instruments are called, or how they are used.
The following is a short list of terms which come to mind. Others may add to the list.
Then, I'm including a copy of a dialogue about how the different congas are used. Again, in a limited focus, so people may add to this as they feel appropriate:

Caja - Cuban (Matanzas) the lead drum part when the lowest is used as lead - the low drum itself is called the tumba. - In Haitian this part is called the mamon.
Salidor - Cuban (Matanzas) the mid drum part - the drum itself is referred to as the segundo.
Quinto - Cuban (Matanzas & Havana) the high drum part and also the name of the drum.

> So is the quinto just one of a set of drums? Do
> you usually just play the one quinto? And is a
> "ride" a pattern used repeatedly as
> accompaniment?

It is one of a set of usually 3 and sometimes four drums.. But in Cuban music, the drums are but one instrument in a multi-layered percussion section. There ’s Chekere, bell or clave, palitos (two sticks played on a hollow bamboo or wood block object), and loads of singing.
The ride patterns are simply the “home ”in a very artistically embellished personal interpretation on the highest drum usually in the rhythm called Guaguanco, Guarapachangueo, Comparsa, Yambu, Mozambique, Columbia or Abakua. This drum is the quinto.
Some other rhythms like Yesa and Bembe are played on lower drums. In Haitian music and some Cuban I think mostly derived from ancient Yoruba in Africa use a much larger lead drum where the improvisation occurs –called the Mamon. Or mother drum.
Both of these song structures with the lead drum being the quinto, and the low tumba, are equally tantalizing.

> How do the other drums fit in? Where can I find
> a primer on the terms and some basic beats to
> get down?

I am hoping that at some point we start discussing beats on the Latin Percussion list. I ’ve made a primer of sorts which is simply my doodling to learn block style notation.
It is derived from my own studies with different teachers around here.
http://www.animaldreams.net/cong/congblock.html

But, the primer I ’d recommend would have to be from my guru Dave Lyons.
http://www.animaldreams.net/conganotation.html
Click on conga techniques by Dave Lyons, and if you end up finding it useful, then please send him $10.

PS,,, do you mind if I use a copy of this e-mail exchange as a topic in the Latin Percussion Tribe?

- note,, I never got the OK from the member,, but since I never said who it was,, I figure it's OK.

posted in Latin Percussion - 5 replies

post file

2005-06-29T07:31:45Z

Hi Dave,

can you tell me how can I post an audio file in a message, please ?

ZunZun

posted in Latin Percussion - 3 replies

Reading is FUNdamental

2005-04-17T01:38:41Z

Some block notation for conga:
http://www.animaldreams.net/cong/congblock.html

Dave

posted in Latin Percussion - 5 replies

Boogalu Productions New DVD

2005-04-06T04:14:54Z

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Rumbambeo DVD
Cajon-Bata-Rumba
with Chaguito y Sus Timberos
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Greetings,

We have just released a new DVD called "Rumbambeo".

Rumbambeo is an Afro-Cuban music and dance performance of a unique gathering of some of the most outstanding musicians, singers, and dancers in Cuba today.

The project was inspired by the creative energy and leadership of Santiago "Chaguito" Garzón Rill, the former musical director of "Rumberos de Cuba". For this project Chaguito invited a group of exceptional artist friends and rumba figures, to perform what they passionately live for... cajón-batá-rumba.

This DVD features 11 segments, and was especially produced to display Cuban drumming and rumba dance, at its best.

Part 1 Cajón de Muertos,
Espiritismo Sacred Music
Plegaria - Makuta - Palo

Part 2 Wemillere, Fiesta de Los Orishas
Batá - Iyesa

Part 3 Rumba
Yambú - Guarapachangüí - Guaguancó I -
Columbia - Guaguancó II - Batá-Rumba

To view a Quicktime movie clip (5mb) of Rumbambeo
http://www.boogalu.com/movies/rumbambeo1.mov

Special price to everyone on this Boogalu mail list for one week $28.00 ($32 regular price)

For more information on this DVD, or to order, click on this link:
http://www.boogalu.com/generic_rumbambeo.html

Also available now > Live Ceremonial Afro-Cuban Music 3 CD Collection produced by Earth CD's
http://www.boogalu.com/generic_earth-afrocuban.cds.html

Please feel free to contact us about any questions you have.
enjoy,
P.

Other Boogalu DVDs

"Tremendo Vacilon" a panorama of Cuban music & dance

"Rumbon Tropical" a rumba party performance

"U Laka Laka La" Carnaval La Habana 2003

"Casino Cubano" learn Cuban style salsa

"Rueda Fresca" fresh rueda

"Mueve La Cintura" salsa Cubana styling

"Salsa Suelta Candela" hot loose salsa without partner

"Rueda De Buen Ache" rueda from Santiago

posted in Latin Percussion - 3 replies

Arcata in '04 anyone?

2005-03-17T13:04:27Z

This is probably the best workshop for Afro-cuban music in North America!

http://www.humboldt.edu/~extended/afrocuban/

I'll be there for sure!

posted in Latin Percussion - 33 replies

Portlanders? Upcoming Bata Classes

2005-03-17T12:26:23Z

The World Dance Office at Portland State presents a 4-day All-Star Afro-Cuban Music and Dance Workshop, featuring Jose Barroso, Silfredo Lao, accompanist Isidro Valor, and in a rare Northwest appearance together, Mark Lamson and Michael Spiro of Bata Ketu fame.

Where: Thursday and Friday, The Peter Stott Center, Room 207
Saturday and Sunday, Shattuck Hall, Room 212
Both on the PSU Campus. For a map: http://www.pdx.edu/map.html

How much: Per Class, $8, PSU students w/ID
$10, Non-PSU students w/ID, Alumni, Faculty and Srs.
$12 General Public
*Series discount is available

What: Bata Ketu percussion classes will be held each day. Based on the ground- breaking work on their CD, Lamson and Spiro will co-teach this energetic class that bring together the elements of the Yoruba traditions and Afro-Brazilian and Afro-Cuban percussion. (Please bring your own percussion for the classes.)

posted in Latin Percussion - 0 replies

sound samples

2005-03-01T00:18:08Z

I've upgraded my server at animaldreams.net to accomodate 200 more Megs of space. I did this primarily to enable us to share sound samples. I still have a great deal saved on minidisc from last year's Afro-Cuban Workshop in Arcata.
Some of it already edited to bite sized mp3s.
I'll post here when new sound clips become available. Some are to help the listener learn a rhythm, and some will be the "greats" playing something.
I'll also let any list member upload their clips upon request and approval.

posted in Latin Percussion - 11 replies

Bongo Mania!

2005-02-18T13:37:09Z

Hi all,
Just wanted to introduce myself. I've been playing and studying bongos for about 11 years, and it's turned into an obsession. So about a year ago I built a website: http://www.bongomania.com and it continues to grow.
If anyone has any questions at all about bongo drums and drumming, the answer may already be on the site, and I am always happy to answer questions by email. I also welcome input to the site, especially if you want to contribute photos, MP3s, or an article.
iA gozar!
Cyrus

posted in Latin Percussion - 1 reply

Afrocaribbean Drumming and Chant at Middlesex County College, New Brunswick Center

2005-02-01T23:40:08Z

Date & Time: Saturday, February 12 2005 - Saturday, March 19 2005
11:00 AM
Late Registration for Afrocaribbean Drumming and Chant at Middlesex County College, New Brunswick Center > > > >Several new students in the Basic Structure for Congas class have expressed an interest in continuing to a more advanced level of instruction. The department of Community Education has granted me permission to have students do a late registration for the 6 week, 2 hour classes beginning February 12th and ending March 19th, 2005. Tuition will be $55 + general fee $44 - Total $99 > > > >Come and learn or fine tune what you have already learned about Clave, Bell, Gua Gua,Tumbao, Rumba Habanera, Rumba Matancera, Carnival, Afro 6/8 and Liturgical Chants from the Lukumi Corpus. > > > >Help the Caribbean Art of Drumming and Chant to stay alive in our communities. It is only through your generous support and dedication that we can perpetuate our cultural traditions. > > > > Please contact Sharon or Wanda at: > > Professional & Community Programs no later than Friday, February 4th. > > > > > > Location: Mill Gate > > > Phone: 732-906-7740 or 732-906-7743 > >

posted in Latin Percussion - 0 replies

hi dave

2004-12-18T14:01:33Z

testing 1234

posted in Latin Percussion - 6 replies

Study in Brasil and Cuba

2004-12-11T01:36:15Z

hi

I'm organizing programs in Cuba and Brasil for Spring and Summer, 2005.
Please email me if you're interested!

Chuck
study_culture@yahoo.com
chuck@chucksilverman.com

posted in Latin Percussion - 2 replies

Mozayik!

2004-12-07T18:26:51Z

Hi Latin Percussion tribe,

Hope all is well! Check out this cool group out of New York City,

http://www.mozayik.com

Best,

Jorge Ginorio

posted in Latin Percussion - 2 replies

Giovanni and Horacio

2004-11-24T15:03:35Z

Hello everyone! :) This may be old news to some of you, but I just discovered that Givanni and Horacio did a video together, "Traveling Through Time". Here's a link to a preview of it on the drummerworld site:

http://www.drummerworld.com/drummers/Giovanni_Hidalgo.html

The duet clip was astounding. The two of them do what it would normally take like four pople to play. What planet is Giovanni from?!

posted in Latin Percussion - 2 replies